This article uses the idea of Kulturtechnik (Kulturtechnik) which is developed in Germany in the late 1990s to explore the different forms of "doors" in history and the multiple roles which they play. As an intermediary between the inside and the outside, the sacred and the secular, the public and the private, the city and the wilderness, the "door" not only establishes a social, political, and religious order, but also transforms space into a carrier of cultural codes. (Excerpt)
Fig. Hubert van Eyck, Verkündigung, 1450. (https://www.metmuseum.org/art/collection/search/435899)
Türen. Zur Materialität des Symbolischen (Part 2):https://www.digiarts.org.tw/DigiArts/DataBasePage/4_202491037285000/En