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【Taipei】Provocative Futures II: Speculation, Medical Science, Human Body and Gender

【Taipei】2021 CTBC Arts Festival X DAF－From Flesh and Blood to Virtuality

【Taipei】Borderless Shelter: 16th Digital Art Festival Taipei 2021

【Taipei】Limbo–sentient beings

【Taipei】Person-to-person connection

【Taipei】Adaptation WU I-Yeh solo exhibition

【Taichung】Lan Hao-Lun & Luca Bonaccorsi: 9,663

【UK】The Digital Weird

【Online】Vector Festival 2021

【UK】tender spots in hard code…

【Taipei】The PetriDish: Huang Hao-Min Solo

【Taipei】Revenge Scenes

【Online】"Save Media Art Project" was launched in May 2021

【Iran】Glitch Art: Pixel Language

【Germany】Computable – Incomputable

【Taipei】Superposition – qbit t adam

【Taipei】The Women's Revenge

【Taipei】SUPERPOSITION—qbit to adam

【Taipei】Beyond Consciousness - Lien-Cheng WANG solo exhibition

【China】Mirage: Contemporary Art in Augmented Reality

【Online】Athens Digital Arts Festival (ADAF): TECHNOTRIBALISM

【China】Immaterial / Re-material: A Brief History of Computing Art

【Taipei】Time Capsule–VR Photography Project

【Taipei】Ayahuasca – The Shamanic Exhibition

【Taipei】WALKING DEAD, MEME, BAD WEATHER

【Taipei】The Scenery of Little Light

【US】The Question of Intelligence — AI and the Future of Humanity

【Russia】Garage Digital

【Taipei】Go Astray - Afterimage for Tomorrow

【Taipei】After Our Dear Country Failed

Where is DigiArk Sailing to? An i...

Regarding the implementation of governmental digital art policy, NTMoFA is undoubtedly one of the leading propelling institutes. In this pa...

How Ecology Acts?

On December 7, 1972, Apollo 17 was launched at a distance of about 45,000 kilometers, and the famous photo AS17-148-22727 was thus taken, w...

Article204

Talking with Gan Siong King about Rea...

Image: Gan Siong King, Kecek Amplifier bersama Nik Shazwan. Courtesy of the artist. Gan Siong King

Technology and Performing Arts-Humani...

After Taoyuans restructuring in 2017, Taoyuan began to organize large-scale technology and art activities through the Taiwan Lantern Festival. (Photo courtesy of Quanta Arts Foundation)

Latent Image: Generative Adversarial ...

Michael Fried (1939-) who penned Art and Objecthood in the 60s probably has never thought that the production of visual art in New York would still be consistently dominated today by the theatricality that he has loathed. Image: Casey Reas, an St...

Infrastructure

We place technics in the context of infrastructure and believe that everyday life can be revealed in their difference. Image:CHENG Hsien-Yu, Sandee CHAN, TAN Tsung-Fan, Photo of ID, 2021. (Image source: https://wonder.am/2021/05/14/untitled-video...

Technology and Performing Arts-Humani...

Topic: Building the foundation of the collaboration between Art and Technology, Experiment and Innovation

Technology and Performing Arts-Humani...

Technology and Performing Arts-Humanistic Thinking Forum is sponsored by the Guanta Arts Foundation and invited to co-organize by the Digital Arts Foundation.

Technology and Performing Arts-Humani...

The gestation of Taiwans technology performing arts in the contemporary art world was mainly driven by the policy promotion of the Ministry of Culture.

Life as an experimental material: The...

Paints, objects, digital technology, or other inanimate and inorganic things have always been the common materials for modern artistic creation. (All images courtesy of Taiwan Comtenporary Culture Lab) Cover image:Arne HENDRIKS, The Incredible...

mage cannot be placed in front of or behind reality (Realitt) because they help constitute reality. Charles Eames, Ray Eames, The Powers of Ten, short film, 9 mins. 1968. (Image source: https://thekidshouldseethis.com/post/eames-powers-of-ten)

In the End, What Is Left of VR? A Ref...

As early as in 1950, Morton Hielig had already created the prototype of the Sensorama, a machine that could effectively encompass multiple senses (senses of seeing, hearing, smelling and touching); and later in 1960, Hielig invented the first displa...

Human is the Night: Digital Art and B...

In 2017, Trevor Paglens exhibition in Metro Gallery, A Study of Invisible Image, displayed his art collection, Adversarially Evolved Hallucination. Image:View of the exhibition Alchemical(2021). (Source: https://www.art-agenda.com/features/377888...

Pseudocortex and Digital Feminism: LI...

LIN Pey-Chwen began to create the Eve Clone Series in 2006, and the Eve Clone created by her is a symbol of LIN s imagination and interpretation of post-humans (especially female bodies). Eve clone not only presents femininity, but also has religiou...

A forgotten chapter in Taiwan's cultu...

Alan Turing invented the Turing Machine, a prototype of modern computers during World War II. Image:The physically damaged computer hard disk. Data stored in the hard disk cannot be identified physically. (Photo credit: Raimond Spekking, Wikimed...

observation

Lets begin with a question observed in Chou Shu-Yis Break Break! a dance video performance that Chou has continually presented in various venues since 2018. Image: CHOU Shu-Yi, Break Break!, 2018-. (Source)

Inferring the diverse aspects of futu...

In Waag Technology and Society (hereinafter referred to as Waag), Amsterdam, Netherlands, there are several research directions Image: KU Kuang-Yi,Millennium Ginseng Project, exhibited atMU Hybrid Art House. (Source: MU Hybrid Art House)

Data

Datahave been a fundamental element in the digital network era during the past 20 years. A new occupation, Image: WANG Yeu-Kwn, Beings, 2020. (Courtesy of National Culture and Arts Foundation, Photo:LIN Hsiao-Chien)

Aesthetic Computing in the Algorithmi...

In Towards a Philosophy of Photography, Vilm Flusser points out that there have been two fundamental turning points in human culture. Image:Dziga Vertovs editing diagram for Entuziazm:Simfoniya Donbassa (1931). (Source)

Autology

There is one segment that is, in terms of narrative, slightly abrupt but absolutely irremovable, according to the director herself, in Singing Chens Afterimage for Tomorrow (referred as Afterimage below), which is that the audience (wearing VR heads...

Exploring the Spatial-temporal Border...

Franois Places peculiar imagination about cartography in his Atlas des gographes dʼOrb has always mapped out Wang Hsin-Jens favored world of fantasy. Image: WANG Hsin-Jen,Paths to the Past, 2018. (Courtesy of the artist)

The Cautionary Scenery of Digital Cop...

As a pioneer of digital art in Taiwan, LIN Pey-Chwen has long used the graphic media, digital prints, 3D animation, interactive technology and other scientific media to reproduce the contemporary vigilance picture under digital reproduction technolo...

The Aesthetics Perspective of Robots?...

For artworks which take mechanical components like materials, whether through physical equipment or processing programs, synthesized into a complete work of technological art, it is empowered with a value of aesthetics in terms of the related artist...

From Prosthesis, Foreign Body to Abje...

In Network, Machine, Computation, Formula for the Future: Outlining the Contours of the Post-Cyber Digital Generation, I discussed how people have been encouraged to think about the relationship between the exterior appearances of machines and human...

Romance in Platform Economy #optimiza...

It is rather exciting to talk about Transmediale, where the most heated discussions about art, society and theories are taking place. Image: Transmediale 2019 Affective Infrastructure.Credit: The Laboratory of Manuel Brger

Immersion and Design: the Political I...

Image: NAXS corp., Render Ghost, Digital Art Performance, 2015. (Photo: Ehang CHAN)

Network, Machine, Computation, Formul...

In the wake of rapid popularization of digital technology, there are five widespread phenomena in contemporary technology generation. Image source.

Object

Is it possible that the relations between theater and object could be addressed without using the system of symbols as the point of departure? To advance the question further, we may reflect on the framework proposed by Artaud, contemplating whether...

A Theater, a Film or a World surround...

In recent years, Chou Tung-Yen kept advancing/evolving his works. In 2018, he presented the amazing theater that unprecedentedly adopted 4D projection technique in Taiwan, in which the viewers have to experience the immersive atmosphere/effect by we...

Revisiting Cultural Technology: Its O...

The definition of cultural technology is still ambiguous. Is it the technology of culture, the culture of technology, or technological culture? Getting to the bottom of the question, we may find out that the confusion is caused by the fallacy in the...

The Humanity beyond Skills On the 20...

The 2017 Vienna Biennale can be counted as a major art exhibition that systematically charted the field of robotics in recent two years. Robots have become ubiquitous around human life since their engagement in human productive labor. In addition to...

The Videogame Criticism in the Digita...

Ian Bogost, an American academic and video game designer, mentioned the concept of videogame criticism (rather than review) in his book How to Talk about Games. Many people may regard it every bit as absurd as criticizing the shapes and functions of...

From Point to Pixel: A Genealogy of D...

In this fiercely ambitious study, Meredith Anne Hoy seeks to reestablish the very definitions of digital art and aesthetics in art history. She begins by problematizing the notion of digital aesthetics, tracing the nineteenth- and twentieth-century ...

ARThon No.1: VR Matters

Standing in this wave of innovative art practice in 2020, the first issue of this ARThon will focus on Virtual Reality, inviting Taiwanese experts and scholars who have in-depth knowledge of virtual reality in related fields. , From different perspe...

Unit Operations: An Approach to Video...

In Unit Operations, Ian Bogost argues that similar principles underlie both literary theory and computation, proposing a literary-technical theory that can be used to analyze particular videogames. Moreover, this approach can be applied beyond video...

Curating the Digital: Space for Art a...

This book combines work from curators, digital artists, human computer interaction researchers and computer scientists to examine the mutual benefits and challenges posed when working together to support digital art works in their many forms. InCura...

Digital Art and Meaning: Reading Kine...

In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, whil...

Digital Arts: An Introduction to New ...

Digital Arts presents an introduction to new media art through key debates and theories. The volume begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution a...

Aesthetics of Interaction in Digital ...

Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja KWASTEK argue...

Expose 7: The Finest Digital Art in t...

The finest international collection of Digital Art Celebrate the world's finest new digital art. EXPOS 7 showcases the year's best artists and art from a record number of entries. With 391 inspiring images prepared by 288 artists from 51

Bleeding Through: layers of Los Angel...

Bleeding Through is an interactive DVD-ROM exploring the ideas of renowned cultural historian Norman KLEIN. A loosely constructed documentary underlying a flexible literary journey, it is an urban bricolage held together by the outline of a novel sp...

The complete artintact vols. 1-5 1994...

artintact is the book-and-CD-ROM publication in which the ZKM presented pioneering works of interactive media art from 1994 to 1999. Encompassing all 15 artworks featured in the series along with the original essays and updated biographical notes, t...

(Dis)Locations

The (dis)LOCATIONS DVD-ROM presents new works by Australian and European artists. Varied in form and subject matter, the individual works by Dennis Del FAVERO, Agnes HEGEDUES, Ian HOWARD, Susan NORRIE, Jeffrey SHAW and Peter WEIBEL address the speci...

Improvisation Technologies: a tool fo...

Choreagrapher William FORSYTHE, artistic director of the Frankfurt Ballet since 1984, has brought about a shift of paradigms in contemporary dance. The vocabulary of his choreographies re-defines body, space, time and movement. 'Improvisation Techno...

Focusing

The new 'ZKM digital arts edition' is planned as a monographic series highlighting important works of interactive art. It opens with a new work by Hungarian artist Tamas WALICZKY, who was one of the first artists-in-residence at the ZKM-Institute fo...

Small fish

"Well! I've often seen a cat without a grin but a grin without a cat! It's the most curious thing I ever saw in all my life." - Bewilderment similar to that experienced by Alice in Wonderland is likely to be roused by the CD-ROM 'Small Fish'. Expect...

Cross currents

This interactive installation and CD-ROM form the third part in a trilogy investigating the traffic in humans sweeping Europe that exploits, amongst other victims, refugees from the former Yugoslavia. The project focuses on the brutal sex trade.

Digital art

Digital technology has revolutionized the way we produce and experience art. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such a...

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RIXC

Betwixt Festival

1024 architecture

Culture Lab at Newcastle University

Mapping Festival

2014 9rd Digital Art Festival Taipei

2008 3rd Digital Art Festival Taipei

open call for 2014 Digital artists

DAM-Digital art museum

WombBloc Arts

China Digital Art Museum

New York Electronic Arts Intermix

The EU project digital art conservation

International Symposium on Electronic Art(ISEA)

Digital Art Festival Taipei 2011

ambientartlab : Laboratory for digital art and interactive media

Festival Internacional de Linguagem Eletronica (FILE)

Digital Art Festival, Taipei. 2010

Dr. LIN Pey-Chwen + Digital Art Lab.

Digital Art Center, Taipei

Incheon International Digital Art Festival

Taipei City Government - Department of Cultural Affairs

Dimension +

Cybersonica

Maxray.net

DiVA (Digital and Video Art Fair)

Digital Arts Creative & Resource Center

AV Festival, UK

Q: Noise is Language

Pocket Film Festival

Virus Becoming

Co-produced by OVNi and The Nice Museum of Asian Arts. Curated by Florent To Lay with Banyi Huang. Image source:OVNi

avLab

The Soliloquist

《Clips-Island series》–Lost Path, S...

ORGAN BIKE - Mechanical Organ Tour Pr...

She, and Her World

Human Eclipse

2D digital art,

ReNew│The Future not Future

Sunshine on Tranquility

Mobile Arts Festival Exhibition

motion + melody

Quorum Sensing

Let's Make ART

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Article204

Book16

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Artist55

陳禹先 (CHEN Yu-Hsien)

宮保睿 (Paul GONG)

莊志維 (CHUANG Chih-Wei)

林書瑜 (LIN Shu-Yu)

王聖傑 (WANG Sheng-Chieh)

顧廣毅 (KU Kuang-Yi)

馮偉中 (FENG Wei-Chung)

彭奕軒 (PENG Yi- Hsuan)

黃偉軒 (HUANG Wei-Hsuan)

郭城 (GUO Cheng)

王新仁 (Aluan WANG)

奧利維耶．哈齊（Olivier Ratsi） (Olivier Ratsi)

劉辰岫 (Ivan LIU)

陳韻如 (CHEN Yun-Ju)

蔡秉樺 (TSAI Bing-Hua)

林晏竹 (LIN Yen-Ju)

李柏廷 (LEE Po-Ting)

噪咖事務所 (Noisekitchen)

廖祈羽 (LIAO Chi-Yu)

許哲瑜 (HSU Che-Yu)

參式 (Ultra Combos)

葉姿秀 (YEH Tzu-Hsiu)

蒲帥成 (PU Shuai-Cheng)

江元皓 (CHAING Iuan-hau)

許朝欽 (HSU Chao-Chin)

黃翊 (HUANG Yi)

方彩欣 (FONG Tsai-Shin)

林維源 (Albert LIN)

在地實驗 (Et@t)

陳韻如 (CHEN Yun-Ju)

Works13

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